Fred Moten / Brandon López

The work of each of these powerfully creative & exceptionally perceptive artists concerns itself with navigating the ascending reign of long-institutionalized madness while simultaneously keeping humanity and sanity intact. Poet and theorist Fred Moten joins bassist Brandon Lopez in a powerful and searching dialog of voice, text, and bass, where Moten’s incisive spoken word and Lopez’s deeply expressive playing fuse into an evocative exploration of Black cultural production, resistance, and creative solidarity.

Inimitable poet, cultural theorist, author, 2020 MacArthur Fellow, Fred Moten creates new conceptual spaces that accommodate emergent forms of Black cultural production, aesthetics, and social life. Moten is a professor of performance studies and comparative literature at New York University, concerned with social movement, aesthetic experiment, and Black study. He is also a United States Artists Rockefeller Fellow and was elected to the American Academy of Arts and Sciences. Moten’s writing and wording are characterized by a refined opacity and a musicality that is inspired by jazz and goes to the limit of noise: “what it is I want to say is subordinate to the sound, subordinate to a kind of feeling, a content that only that sound can provide”. His books include In the Break: The Aesthetics of the Black Radical Tradition, the trilogy Consent Not To Be A Single Being, The Undercommons: Fugitive Planning & Black Study and All Incomplete, co-authored with Stefano Harney, as well as numerous poetry collections.